Thursday, January 6, 2011

Made in Dagenham and the Equality Pay Act

Made in Dagenham is about the 1968 strike by women in Dagenham, England, which eventually resulted in The Equality Pay Act.
When the Ford Dagenham female machinists work was categorized as unskilled resulting in a pay cut, they went on strike. When all the female machinists from the other Ford plants in the U.K. joined the strike, Ford was forced to shut down. The women had to stand up to Ford management and to their husbands, many of whom were employed by the same plant.
Made in Dagenham is a slightly fictionalized account reminding us that the fight for gender equality is not in the distant past.
Small moments in the film hit hardest. Sally Hawkins, who plays Rita O’Grady, finds herself thrust into a leadership position. When she first meets with the local union representative, he tells her “keep your head down when they (the Ford executives) ask questions and let the men do the talking.” Later, as she rushes off to a union conference, her husband reminds her he is out of clean shirts.
Sometimes the behavior best illustrates the times. For example, when the American Ford representative is welcomed into his English counterpart’s home, his host offers to take his hat and coat. He then immediately hands it off to his wife.
The film is not without humor. There is the real-life moment when a strike banner reading "We Want Sexual Equality" failed to unfurl properly and read “We Want Sex” instead.
The end result was the passing of the Equal Pay Act of 1970, which made it illegal to have different pay scales for men and women. Please note that was two years after the strike, and American women still earn less than men.
Made in Dagenham is a reminder that we have come a long way, but the fight must continue.

Saturday, January 1, 2011

Til Debt Do Us Part - Newlyweds

http://www.gather.com/viewArticle.action?articleId=281474978764437

Saturday, November 13, 2010

The Fairy Jobmother: Parent Trap- Episode 3 by Drina Turner

Friday, November 5, 2010

What's Eating You on E

We are a nation plagued by image while struggling with obesity.  How we look impacts how others treat us and how we treat ourselves. Many people, men and women, develop eating disorders to look good but find themselves in an agonizing lifestyle that accelerates their death.
Wednesday nights on E “What’s Eating You” takes a very close look at individuals grappling with eating disorders. They meet with therapists to uncover the reasons for developing this defense system and attempt, with their help, to break free of it.
Mona, 41, had lap band surgery two and a half years ago. Although the resulting pouch is the size of a golf ball, she eats past its capacity, purging twenty times a day.
We learn that Mona grew up singing in her father’s Pentecostal church. After being molested by her friend’s father, she decided to make herself unattractive. She eventually got a contract and recorded the number  hit “We Can Make it” in 1992. Her fear of success drove her to eat more and the record company dropped her when she hit 400 pounds.
Andrew, 23, was one of eight children. He was a chubby kid who grew up watching his mother be beaten by different boyfriends. Eventually he lost weight and became a track star in high school. He lost a scholarship when he broke his tibia from over exercising. Fearful of weight gain he became bulimic. During the day, he will drink ten cups of coffee and eat two packs of gum. If he does eat food he immediately binges and purges after. When he feels extra stressed he also cuts himself.
The episodes are quite graphic. We watch the individual buy food, consume and dispose of it. It is even more jarring because the footage switches from color to black and white throughout the hour.
Sometimes there is progress but not always.
By the end of the hour Mona has stop binging, lost twenty-two pounds and is performing again. 
Andrew cut himself so deeply he needed seventy stitches. His roommates ask him to move out and he has no place to go
 Watch an episode and see for yourself

Sunday, October 17, 2010

Mike & Molly on CBS

Fat people have arrived! They are on TV and guess what? They are a lot like everyone else.
Remember “Roseanne” starring Roseanne Barr and John Goodman? They played an overweight, married couple with children. That was the last time we saw fat people on TV and the focus was not their weight. Maybe Roseanne and Dan were thinner before marriage but Mike & Molly start off fat.
Set in Chicago Molly, a fourth grade teacher who lives with her mother and sister meets Mike, a police officer at an Overeaters Anonymous meeting.
She invites him to speak to her class after which he asks her out on a date. The romance and laughs begin in earnest from there.
A solid cast, notably Swoosie Kurtz who plays Molly’s mother Joyce, supports the lead actors Melissa McCarthy as Molly and Billy Gardell as Mike. Victoria, Molly’s sexy, stoner sister, played by Katy Mixon is Molly’s opposite without being hateful.
Although Mike’s police partner Carl, played by Reno Wilson, lives with his grandmother that does not stop him from doling out romantic advice.
There are predictable laughs because they are fat but moments of tender vulnerability shine through. It is refreshing to watch two people acknowledging their shortcomings and forging a life for themselves anyway.
Tired of not seeing anyone on TV that looks like anyone you know? Watch Mike & Molly Monday nights on CBS.Mike & Molly

Tuesday, October 12, 2010

Disney's Secretariat

October 12, 2010
You may know how the story is going to end but Secretariat is still a movie worth seeing.  This is a fact based, family friendly film that follows the making of a champion.
America is entering the ‘60’s. Free love, war protests, hippies and challenging the establishment become part of the social norm. If ever there was a time to do the unexpected, it was then.
Penny Chenery Tweedy (played by Diane Lane) is wife to a lawyer and mother of four  living a good life in Denver. She returns to Virginia to care for her ailing father and the nearly bankrupt horse farm. Because she cannot bear to lose it, she fires the unscrupulous trainer and takes over the farm alone.
 Honoring a deal her father made she wins Secretariat in a coin toss. Secretariat surpasses everyone’s expectations because of her obstinacy, love and belief.  In 1973, Secretariat was the first U.S. Triple Crown champion in twenty-five years.  He won the Belmont Stakes by 31 lengths, a record that remains unbroken.
The cast is excellent. Diane Lane plays Penny with an understated authority.  John Malkovich as trainer Lucien Laurin can steal a scene with just a look. Yes, the dialogue is predictable and Diane Lane has her “horse whisperer moment” moment but the real stars are the camera and soundtrack.
You watch Secretariat go through the tunnel onto the racetrack much like a boxer heading for the ring. Then the camera shows Secretariats point of view. He is listening to the crowd cheering while watching his opponents flex their muscles. Secretariat can hardly contain himself in the gate. The bell sounds, the gates spring open and you see what the jockey sees. Track dirt kicked in your face, hear the stampede of hooves and understand the very real possibility you can fall to your death. The camera makes you live through the longest minutes of your life while you listen to the heavy breathing of a half-ton animal bred to run as fast as it can. In the Belmont Stakes Secretariat ran the fastest ½ mile ever recorded in America. 
Secretariat’s story is in part a small snapshot of American history.  We are reminded of a not too long ago time when a woman’s accomplishments were measured by the success of her husband and her homemaking abilities. Challenging the status quo, not compromising your beliefs and living your convictions as Penny Chenery Tweedy did remind us of the principal that makes America unique.http://www.gather.com/viewArticle.action?articleId=281474978595084